Kytes, an electro-pop quartet from Munich, germany are aiming for radiofriendly Two Doors Cinema 2.0 within an old Foals touch. Today their first EP was released through Milky Chance well supported Label "Lichtdicht Records/Music". Listen to two singles below. Happy releaseday everyone
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Buy /// iTunes
Webpage /// KYTESOFFICIAL
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Showing posts with label EP Review. Show all posts
Showing posts with label EP Review. Show all posts
Friday, 20 November 2015
Wednesday, 8 July 2015
[EP REVIEW] Lisbon - Life Is Good
Whitley Bay four-piece Lisbon have their brand new EP "Life Is Good" all ready for ya, and we've managed to get our ears around it before you - to bring you this review. The band have been riding a wave of positive reviews for their live shows and their recorded tracks too, with a big following across their social media sites they're certainly on the up!
This EP just proves it, the opening song "I Don't Know" sounds like it's been lifted from the late 00's, but with added energy and urgent vocals, the latter half of the track has a driving bassline that makes you want to revisit the song over and over again. "NatÏve" is a straight up Indie-Pop classic resembling The 1975's work, not to say that it's a rip off track but this sound is definitely in at the moment, loads of artists are revisiting music from the 1980's and early 90's and here they've stumbled upon something great, this is one for the festivals!
The second half of the EP features "Khaleesi" - which took me a good few listens to really appreciate it fully. It's a cut that wouldn't sound out of place at a Imagine Dragons set, with uplifting vocals and a powerful chorus this EP sounds like it's got everything Indie music fans are after in 2015! The band do sound like they're onto a winner here, and 2016's going to be a big year for them. But before we end the review there's one more song to go. "Good 2 Me", it's a track that the band have experimented a bit with by the sounds of it, with distorted vocals in the into and a Daft Punk-esque vibe to the verses. If you could imagine the perfect 4 tracks to soundtrack an escape to an island to, it'll be these four!
Lisbon are living up to their name here, their music is certainly summery and laden with great hooks. The EP is very strong and even comes with a remix pegged onto the end of it by J Tropic. These guys are a really hard working band and have easily converted me into a fan!
This EP just proves it, the opening song "I Don't Know" sounds like it's been lifted from the late 00's, but with added energy and urgent vocals, the latter half of the track has a driving bassline that makes you want to revisit the song over and over again. "NatÏve" is a straight up Indie-Pop classic resembling The 1975's work, not to say that it's a rip off track but this sound is definitely in at the moment, loads of artists are revisiting music from the 1980's and early 90's and here they've stumbled upon something great, this is one for the festivals!
The second half of the EP features "Khaleesi" - which took me a good few listens to really appreciate it fully. It's a cut that wouldn't sound out of place at a Imagine Dragons set, with uplifting vocals and a powerful chorus this EP sounds like it's got everything Indie music fans are after in 2015! The band do sound like they're onto a winner here, and 2016's going to be a big year for them. But before we end the review there's one more song to go. "Good 2 Me", it's a track that the band have experimented a bit with by the sounds of it, with distorted vocals in the into and a Daft Punk-esque vibe to the verses. If you could imagine the perfect 4 tracks to soundtrack an escape to an island to, it'll be these four!
Lisbon are living up to their name here, their music is certainly summery and laden with great hooks. The EP is very strong and even comes with a remix pegged onto the end of it by J Tropic. These guys are a really hard working band and have easily converted me into a fan!
Lisbon - Life Is Good EP
Out of 10: 9/10
Wednesday, 8 April 2015
EP... Jamie T - Magnolia Melancholia
It was a new dawn for Jamie T when 'Don't You Find' peered out from behind the shadows of a five year wait.
Six months on from his highly anticipated third album, 'Carry On The Grudge', and after few cobwebs settling; Jamie Treays has released a new EP. If anything was apparent about his third album it was that Treays has become a frustrated man, who's firmly stuck in corner of every room he sets foot in.
'Magnolia Melancholia' does exactly what it says; emitting the light and dark of a growingly complex personality. Take 'Don't You Find', which is brooding on the surface and marked a new chapter for Jamie's song-writing. It's approximately three minutes in though that this chapter comes to life. He spits almost inaudible abuse over elegant strings. It's these spouts of frantic episodes that cling on to the Jamie T of 2009.
Similar can be said in, 'Marilyn Monroe', the most upbeat on the EP and a track which could've walked its way onto 'Carry On The Grudge'. His wittering towards the end is poetic verbal diarrhoea which is reminiscent of the breakdown 'Rabbit Hole'.
Amongst the other tracks, covers, 'Mama Don't Smoke' and 'Bastards Of Young', add little other than peeling back a few extra layers. 'Magnolia Melancholia' on the other hand is a lethargic heartbreak ballad that turns on itself with woozy cries of, "I guess I just miss my friend." Other track, 'Riverbed', is an Albarn-esque self-reflection which chugs along woefully to lyrics, "so if this river carries evil away, why do I shiver at mistakes I made?".
If this EP does anything it shows that any glimpse of blossoming magnolia in Jamie's life is quickly stunted by the release of pent up agitation. It's time someone took the weight off his shoulders that is long past its five year sell by date.
Jamie T - Magnolia Melancholia
Out of 10: 7/10
By Josh Shreeve (@JJShreeve)
Six months on from his highly anticipated third album, 'Carry On The Grudge', and after few cobwebs settling; Jamie Treays has released a new EP. If anything was apparent about his third album it was that Treays has become a frustrated man, who's firmly stuck in corner of every room he sets foot in.
'Magnolia Melancholia' does exactly what it says; emitting the light and dark of a growingly complex personality. Take 'Don't You Find', which is brooding on the surface and marked a new chapter for Jamie's song-writing. It's approximately three minutes in though that this chapter comes to life. He spits almost inaudible abuse over elegant strings. It's these spouts of frantic episodes that cling on to the Jamie T of 2009.
Similar can be said in, 'Marilyn Monroe', the most upbeat on the EP and a track which could've walked its way onto 'Carry On The Grudge'. His wittering towards the end is poetic verbal diarrhoea which is reminiscent of the breakdown 'Rabbit Hole'.
Amongst the other tracks, covers, 'Mama Don't Smoke' and 'Bastards Of Young', add little other than peeling back a few extra layers. 'Magnolia Melancholia' on the other hand is a lethargic heartbreak ballad that turns on itself with woozy cries of, "I guess I just miss my friend." Other track, 'Riverbed', is an Albarn-esque self-reflection which chugs along woefully to lyrics, "so if this river carries evil away, why do I shiver at mistakes I made?".
If this EP does anything it shows that any glimpse of blossoming magnolia in Jamie's life is quickly stunted by the release of pent up agitation. It's time someone took the weight off his shoulders that is long past its five year sell by date.
Jamie T - Magnolia Melancholia
Out of 10: 7/10
By Josh Shreeve (@JJShreeve)
Monday, 26 January 2015
JP Cooper releases new EP 'When The Darkness Comes'
JP Cooper released his new EP 'When The Darkness Comes' today. The five track EP, featuring songs such as 'Closer' and 'Satellite', is a highly anticipated release from the singer-songwriter. He's been on our radar for a while now and everything sent to us simply blows us away.
'When The Darkness Comes' isn't that different from previous releases in the sense that Cooper's sweet voice and melodic guitar create a perfect match to make a relaxing and peaceful EP. It's gold from start to finish. The songs are packed with good vibes that make your head nod and toes tap. Cooper's voice hits high notes just right and with it accompanied by layers of backing vocals it cooks up a beautiful EP.
You can pick up 'When The Darkness Comes' here.
Check out his social media links below.
[FACEBOOK]
[TWITTER]
- Nathan (@nxths)
Wednesday, 10 December 2014
EP Review... Coquin Migale - F E E L EP
Coquin Migale are a fairly unknown entity and seem keen to keep it that way with a mysterious yet gripping second EP, that fuses together ends of the musical scale, piece by piece.
The Newcastle quartet seem to thrive off their ability to inter-weave in and out of varying melodies. One minute they're not far off the tight, picky riffs of Foals in 'Gold' and 'Socotra', then the next they verge a nose dive towards the depths of heavy metal. The reverb of the electric guitar is the one constant, which strikes a strong chord throughout the EP, taking minimal breaks in 'Interlude' for a bombardment of hefty drums.
'Gold' throws back similarities to previously released track, 'Icarus', in the way it could integrate three different songs into one. However, 'Paris' is as strange as Coquin Migale go, toying with various speeds and rhythms throughout which could be mistaken for being chaotic. Starting with ghostly vocals and ending with a gentle jam, its brief but erratic guitar shred in the middle sounds like an early Bloc Party and The Editors gathering as they bond over speed.
For all the different influences etched into the EP, final track 'Socotra', brings another into the frame with the rowdy indie-rock chorus fitting in nicely with the more raucous sounds from B-Town bands, Jaws and Peace. The climax of the EP ends in a way that the band have become accustomed to; with a heavy whirlwind of riffs. If there's one thing to be said about Coquin Migale, it would be that it's hard to put your finger on exactly what they're all about. Whatever it is though ought to be burrowing through the obscurities and turning heads their way.
Coquin Migale - F E E L
Out of 10: 7/10
By Josh Shreeve
Buy/ [iTunes]
Follow/ [Facebook]
Listen/ [Soundcloud]
The Newcastle quartet seem to thrive off their ability to inter-weave in and out of varying melodies. One minute they're not far off the tight, picky riffs of Foals in 'Gold' and 'Socotra', then the next they verge a nose dive towards the depths of heavy metal. The reverb of the electric guitar is the one constant, which strikes a strong chord throughout the EP, taking minimal breaks in 'Interlude' for a bombardment of hefty drums.
'Gold' throws back similarities to previously released track, 'Icarus', in the way it could integrate three different songs into one. However, 'Paris' is as strange as Coquin Migale go, toying with various speeds and rhythms throughout which could be mistaken for being chaotic. Starting with ghostly vocals and ending with a gentle jam, its brief but erratic guitar shred in the middle sounds like an early Bloc Party and The Editors gathering as they bond over speed.
For all the different influences etched into the EP, final track 'Socotra', brings another into the frame with the rowdy indie-rock chorus fitting in nicely with the more raucous sounds from B-Town bands, Jaws and Peace. The climax of the EP ends in a way that the band have become accustomed to; with a heavy whirlwind of riffs. If there's one thing to be said about Coquin Migale, it would be that it's hard to put your finger on exactly what they're all about. Whatever it is though ought to be burrowing through the obscurities and turning heads their way.
Coquin Migale - F E E L
Out of 10: 7/10
By Josh Shreeve
Buy/ [iTunes]
Follow/ [Facebook]
Listen/ [Soundcloud]
Monday, 8 December 2014
EP Review... As Elephants Are - Crown
As Elephants Are have continued to flesh out their sound since their 'Hand Prints EP', released earlier this year. The bands debut EP could've easily been mistaken for a short collection of their 'best of' hits in a latter career move. Thankfully, what the 'Crown EP' brings is very much the same; another jewel in the metaphorical crown of the heirs to the indie throne.
'Crown' quite rightfully is the sister piece to previously released track, 'Hand Prints' with its naturally uplifting melodies. An evolution has happened behind the mic though, with Ben Stratford's vocals sounding more prominent and brimming with confidence. The sprightly tune is almost instantly juxtaposed though by 'Breathe', which sets off all kinds of haunting alarm bells in a more menacing tone, lending its hand to more serious matters. Lyrics, "Wide awake inside my head, open my eyes and there's nothing left", leaves a disturbing hallucination imprinted by Stratford and co's paranoia.
This is nothing in comparison though to, 'War Cry', which rounds of the EP, despite being the bands first song that drew us towards them. The re-recorded version has been fine tuned to send shivers down the spine with its euphoric and echoey climax to a short but memorable three track record. The only worry for fans now would be them wondering how much of the boys ingenuity will be spared for a debut album.
As Elephants Are - Crown
Out of 10: 8/10
By Josh Shreeve
Buy/ [iTunes]
Follow/ [Facebook] [Twitter]
Listen/ [Soundcloud]
'Crown' quite rightfully is the sister piece to previously released track, 'Hand Prints' with its naturally uplifting melodies. An evolution has happened behind the mic though, with Ben Stratford's vocals sounding more prominent and brimming with confidence. The sprightly tune is almost instantly juxtaposed though by 'Breathe', which sets off all kinds of haunting alarm bells in a more menacing tone, lending its hand to more serious matters. Lyrics, "Wide awake inside my head, open my eyes and there's nothing left", leaves a disturbing hallucination imprinted by Stratford and co's paranoia.
This is nothing in comparison though to, 'War Cry', which rounds of the EP, despite being the bands first song that drew us towards them. The re-recorded version has been fine tuned to send shivers down the spine with its euphoric and echoey climax to a short but memorable three track record. The only worry for fans now would be them wondering how much of the boys ingenuity will be spared for a debut album.
As Elephants Are - Crown
Out of 10: 8/10
By Josh Shreeve
Buy/ [iTunes]
Follow/ [Facebook] [Twitter]
Listen/ [Soundcloud]
Tuesday, 25 November 2014
E.P Review... Tom Prior - 'Bad Advice'
Tom Prior started his journey back in 2005 when he transformed his shed into a studio. He released two mix tapes between 2007 and 2008: “Take Note” Vol. 1 and Vol. 2. Although these were small projects, Tom still managed to create a buzz around himself by selling an impressive 3,000 copies in street sales alone. Big things are destined to happen for the talented singer/songwriter and that has started by landing a support set for Devlin, Katy B and Ms Dynamite at London’s acclaimed ‘Somerset House’.
Recently Tom released his brand new EP ‘Bad Advice’ which is available to stream below.
His passionate piano playing and edgy lyrics work pleasantly with the indie rock style with a slight hint of hip hop thrown in there too. There are little snippets of Jake Bugg within Tom Prior's work, especially in the songs 'Common Ground’ and ‘The Altar'.
- Cal Beasley
Sunday, 9 November 2014
EP Review… Wilhelm Tell Me "A Short Story for the Road"
I guess we can all agree on the fact that road trips are exciting and fun - provided you have the right soundtrack to accompany you. Hamburg band Wilhelm Tell Me may well have provided just that. Their EP "A Short Story for the Road" was described by singer Henning Sommer as an EP produced with wanderlust and memories of past trips firmly in the band's minds. (You can read our interview with the band here).
The EP kicks off with a 43 second long intro. "Where are we going?" asks a female voice. The first stop on the journey is "Let Me Take You Away". The song kicks off powerfully with Henning's verses leading up to a sing-along chorus with him telling us listeners that he wants to take us away.
Up next is "The Cool Kids" which was the first single from the EP to be released and sports a tremendously catchy tune. A slow, looped build up gives way to yet another sing-along chorus.
"Growing Younger" is next on the list, with a tune that will instantly have you whistling along and will stick in your head for hours to come. This song doesn't focus on love, as the previous ones have, instead celebrating youth and the act of feeling young.
My personal highlight fromthe EP is "Tourists". "All these roads we drove together / Tracing state-lines with a finger / Promises of places made of gold", perfectly sums up the EP's road trip feel. The synthesiser sounds push the listener on and on through the journey that is "A Short Story for the Road".
The final stop on the trip is "Crashing Planes" which is by far the quietest and most melancholic track on the EP. It's a very untypical song for Wilhelm Tell Me, as it doesn't contain their usual catchy, light pop sound.
All in all "A Short Story for the Road" won't go down in history as one of the deepest or most complex EP's of our time, but then again it doesn't have to. It showcases what Wilhelm Tell Me do best: catchy, light, feel-good pop songs.
Out of ten: 8/10
Benjamin Brown
The EP kicks off with a 43 second long intro. "Where are we going?" asks a female voice. The first stop on the journey is "Let Me Take You Away". The song kicks off powerfully with Henning's verses leading up to a sing-along chorus with him telling us listeners that he wants to take us away.
Up next is "The Cool Kids" which was the first single from the EP to be released and sports a tremendously catchy tune. A slow, looped build up gives way to yet another sing-along chorus.
"Growing Younger" is next on the list, with a tune that will instantly have you whistling along and will stick in your head for hours to come. This song doesn't focus on love, as the previous ones have, instead celebrating youth and the act of feeling young.
My personal highlight fromthe EP is "Tourists". "All these roads we drove together / Tracing state-lines with a finger / Promises of places made of gold", perfectly sums up the EP's road trip feel. The synthesiser sounds push the listener on and on through the journey that is "A Short Story for the Road".
The final stop on the trip is "Crashing Planes" which is by far the quietest and most melancholic track on the EP. It's a very untypical song for Wilhelm Tell Me, as it doesn't contain their usual catchy, light pop sound.
All in all "A Short Story for the Road" won't go down in history as one of the deepest or most complex EP's of our time, but then again it doesn't have to. It showcases what Wilhelm Tell Me do best: catchy, light, feel-good pop songs.
Out of ten: 8/10
Benjamin Brown
Monday, 20 October 2014
EP Review... Palace - 'Lost In The Night'
Palace's debut EP 'Lost In The Night' is a gleaming gem in the crown of an indie music scene currently obsessed with making replica's of guitar bands been and gone, or drenching themselves in psychedelic groove.
Whilst the London ensemble do have bundles of groove to them, it's refreshingly unexpected. The throwback to blues and soft rock is a gentle and pleasant surprise to energetic indie-ears. 'Bitter' is the lead track, and arguably up there with some of the greatest sounds of the year. The raw hear-felt vocals are hard to go a miss, as is the climactic, jumbled instrumental ending.
The rest of the EP is fairly tender, with 'I Want What You Got' and 'Ocean Deep' still exploiting those quickly identifiable vocals. Essentially, the true beauty of Palace is never quite reached until you meet 'Veins'. It's a lullaby track you'd expect to find from the depths of a dusty antique store, still crackling on a record player as it did all those years before. Final number, 'Lost In The Night' rounds of a promising debut, with it's outro of percussion and fret-bending woes.
An EP as honest as ever, there's more than a gap on the record store shelf for Palace. That's so long as they don't get sucked into mainstream obscurity and keep their archaic, alternative blues-driven melodies refreshing and cool.
Palace - 'Into The Night'
Out of 10: 8/10
By Joshua Shreeve
Buy/ [iTunes]
Follow/ [Facebook] [Twitter]
Listen/ [Soundcloud]
Whilst the London ensemble do have bundles of groove to them, it's refreshingly unexpected. The throwback to blues and soft rock is a gentle and pleasant surprise to energetic indie-ears. 'Bitter' is the lead track, and arguably up there with some of the greatest sounds of the year. The raw hear-felt vocals are hard to go a miss, as is the climactic, jumbled instrumental ending.
The rest of the EP is fairly tender, with 'I Want What You Got' and 'Ocean Deep' still exploiting those quickly identifiable vocals. Essentially, the true beauty of Palace is never quite reached until you meet 'Veins'. It's a lullaby track you'd expect to find from the depths of a dusty antique store, still crackling on a record player as it did all those years before. Final number, 'Lost In The Night' rounds of a promising debut, with it's outro of percussion and fret-bending woes.
An EP as honest as ever, there's more than a gap on the record store shelf for Palace. That's so long as they don't get sucked into mainstream obscurity and keep their archaic, alternative blues-driven melodies refreshing and cool.
Palace - 'Into The Night'
Out of 10: 8/10
By Joshua Shreeve
Buy/ [iTunes]
Follow/ [Facebook] [Twitter]
Listen/ [Soundcloud]
Friday, 12 September 2014
Loreley & Me release "Trip" EP
When you are watching the official first two videos of this band, you're completely getting what they wanted you to get. The Singles are clearly bombs and are only sprinkling around with nice sounds from all harmonics and beautiful mystics. The Swiss Duo knows how to entertain in their video for "ZACK".
The song tells about founding the band meeting up in Manchester and doing gigs on the streets what ever it took to get attention from anyone. They finally got it. We were very pleased to hear of them and are wondering what will be next. We need a full album within more peace and significant sounds. They are on a good way to please again on the fulfilling and completing album.
Great Music! Stream their EP Now on UK's most important Indie Blog itallindie.com (Wee-Hoo)
Follow / Facebook
The song tells about founding the band meeting up in Manchester and doing gigs on the streets what ever it took to get attention from anyone. They finally got it. We were very pleased to hear of them and are wondering what will be next. We need a full album within more peace and significant sounds. They are on a good way to please again on the fulfilling and completing album.
Great Music! Stream their EP Now on UK's most important Indie Blog itallindie.com (Wee-Hoo)
Follow / Facebook
Saturday, 23 August 2014
Tenterkook unveils self-titled début EP stream [IAI PREMIÈRE]
Tenterhook - aka Archie Faulks - is a singer-songwriter who sold out his FIRST EVER show at the famous Jazz Servants Quarters in East London earlier this year. His debut EP has been one we've been looking forwards to ever since we first heard the demo for "Stereo" and most recently "Chemicals". We've been playing him a lot over at IAIHQ and we seriously think that he can easily be one of the 'Ones to watch' for 2015, early I know but everything is falling into place for this talented musician.
The EP opens up with the tender track "Stereo", one of his first songs that helped sell out a show in London earlier this year, you can easily tell why people were excited to see him, crisp vocals, a song that builds and builds to end in a dramatic way, a radio friendly song for the 21st century, who needs garish videos and outlandish statements, all Tenterhook needs is his voice! After the opening tracks departs it gives way to his biggest track - based on listens - "Chemicals", it's a track that follows the same principles of the one before it, but with a faster chorus and more prominent guitars and without the piano keys there too this track is more relateable for even the heavily bearded hipster. With a strong set of harmonies assisting the track, it's one you have to just play and play again!
The second half of the EP takes a slower turn, showing Archie's softer side, "London Heart" features the wonderful Stephanie Fraser, and I'm a big sucker for gentle boy girl vocals, hence why I loved the second Bombay Bicycle Club album and most recently the work from Los Campesinos! But this track is so simple and yet so beautiful, just proves that you don't need a massive pedal board and a crazy drummer to sound good, all that's here is a set of vocals, some strings, delicate piano keys and a strong heart-warming song, easily the centrepiece of the EP
The EP ends on "All Out", aptly named if you ask me as this is the most experimental track of his, really reminds me of early Lianne La Havas with the finger picking in the guitars and the deep drums echoing in the background. His vocals are really on show here with him hitting the high notes with ease and this six minute epic could easily just be one of the hidden gems of the year so far, if you make it to the end of the EP - which you clearly just have to for this - then you'd be rewarded with a simply stunning performance. The latter half of the song is strongly reminiscent of Wild Beasts, but Archie has certainly made a sublime EP!
You might be forgiven to think that this guy has come through a reality programme with vocals that's so sweet and polished, X Factor and The Voice are all way too out of his league as his abilities to sing are astonishing. You NEED to hear this and check out the EP in full below!
Tenterhook - Tenterhook EP
Out of 10: 10/10
Follow / [FACEBOOK]
Listen / [SOUNDCLOUD]
The EP opens up with the tender track "Stereo", one of his first songs that helped sell out a show in London earlier this year, you can easily tell why people were excited to see him, crisp vocals, a song that builds and builds to end in a dramatic way, a radio friendly song for the 21st century, who needs garish videos and outlandish statements, all Tenterhook needs is his voice! After the opening tracks departs it gives way to his biggest track - based on listens - "Chemicals", it's a track that follows the same principles of the one before it, but with a faster chorus and more prominent guitars and without the piano keys there too this track is more relateable for even the heavily bearded hipster. With a strong set of harmonies assisting the track, it's one you have to just play and play again!
The second half of the EP takes a slower turn, showing Archie's softer side, "London Heart" features the wonderful Stephanie Fraser, and I'm a big sucker for gentle boy girl vocals, hence why I loved the second Bombay Bicycle Club album and most recently the work from Los Campesinos! But this track is so simple and yet so beautiful, just proves that you don't need a massive pedal board and a crazy drummer to sound good, all that's here is a set of vocals, some strings, delicate piano keys and a strong heart-warming song, easily the centrepiece of the EP
The EP ends on "All Out", aptly named if you ask me as this is the most experimental track of his, really reminds me of early Lianne La Havas with the finger picking in the guitars and the deep drums echoing in the background. His vocals are really on show here with him hitting the high notes with ease and this six minute epic could easily just be one of the hidden gems of the year so far, if you make it to the end of the EP - which you clearly just have to for this - then you'd be rewarded with a simply stunning performance. The latter half of the song is strongly reminiscent of Wild Beasts, but Archie has certainly made a sublime EP!
You might be forgiven to think that this guy has come through a reality programme with vocals that's so sweet and polished, X Factor and The Voice are all way too out of his league as his abilities to sing are astonishing. You NEED to hear this and check out the EP in full below!
Tenterhook - Tenterhook EP
Out of 10: 10/10
Follow / [FACEBOOK]
Listen / [SOUNDCLOUD]
Monday, 21 July 2014
Stream Grand Splendid's "Numbers EP"
Grand Splendid are Canadian, now when we think about Canada all that comes to mind is Bryan Adams, Arcade Fire and sadly enough Justin Bieber, but even for someone who's very narrow minded about a country we're excited to listen to this Montreal band's début EP.
The EP is a rather gentle affair with a lot of the songs reminding me of late era Brit-Pop, for example the late Feeder songs, Blur's late 90's tunes and early Post-Punk/Revival bands, which is not a bad little niche to be in! The centrepiece of the whole EP is the title track "Numbers" which has a great little summer vibe to it which the next track has too. The EP ends on a dark note with "Last", you can check out the brilliant new EP from the Montreal band below!
Follow / [FACEBOOK]
Listen / [SOUNDCLOUD]
The EP is a rather gentle affair with a lot of the songs reminding me of late era Brit-Pop, for example the late Feeder songs, Blur's late 90's tunes and early Post-Punk/Revival bands, which is not a bad little niche to be in! The centrepiece of the whole EP is the title track "Numbers" which has a great little summer vibe to it which the next track has too. The EP ends on a dark note with "Last", you can check out the brilliant new EP from the Montreal band below!
Follow / [FACEBOOK]
Listen / [SOUNDCLOUD]
Saturday, 21 June 2014
EP Review... Affairs - Muscle EP
Whilst sifting through the many various promo emails we get sent through, I was lucky enough to discover Affairs, a slick 80s inspired outfit from Hull. With staccato layers of guitars and a voice similar to that of Ian Curtis of Joy Divison and Tom Smith of Editors, their flamboyant yet intense single 'Contact' struck a chord with me. Now with support slots for bands such as Alt-J, The 1975 and The Family Rain under their belt, 'Muscle' is the latest musical offering from the boys.
When hearing the EP on first play I felt as if I was walking on to the set of a 1980s teen movie, almost as if I've been transported to a high school disco where there's awkward but dreamy romance, trendy fashion and many smoke machines, a big sense of nostalgia echoed.
The opener entitled 'Blood Science' starts with dreamlike soundscapes which sets the mood for the fairly free space-like flowing track. The counterpoint harmonies follow through the song which is complete with a catchy hook in the rich chorus. Robinson's vocals are very laid-back which I feel is replicated throughout the EP. It works well as an opener to demonstrate what we can expect from the rest of the songs.
'Savour Us' is the most uptempo of the EP and one of my favourites. The beginning riff echoes similarities to 'Milk & Black Spiders' off Foals' latest LP. This, along with 'Heavy Flight' demonstrate the effectively tight work between the bass and drum parts. The production works brilliantly with the band's style. It builds up towards the end, dense in layers, before whirling in to a mass of bit crusher mess you'd expect more commonly from an old Mario game.
The third track 'Heavy Flight' didn't grab my attention on first impression but after a few more listens I've grown to really like this number. It again follows the droney guitar soundscape themes that have already popped up in the first two songs. 'Heavy Flight' showcases the tight jangly guitars, a characteristic of Affairs' music, and the interplay with all the different musical layers including Robinson's vocals. I feel as if 'Heavy Flight''s build up at the end has so much more potential to give but falls at the last hurdle, nevertheless, a brilliant riff.
Affairs demonstrate the beautiful combination of old and new on 'Stained Gold' and 'Ebony'. Some of the vintage instruments and sounds coexist brilliantly with the new-age sounding atmospheric soundscapes and the different samples. 'Stained Gold' is a romantic slow song with an icy guitar riff that works really well amongst the throbbing bass line and the well-written lyrics 'well your floating around like a boat on the river, you tremble and shiver' and 'your hands are as cold as the ice on your windscreen, fractured and unclean'. The use of electronic drums amongst the warm synth pads work a treat although the chorus doesn't quite transpose in the same way the others on the EP do. I feel like it lacks the catchy hook shown on the majority of Affairs' works.
There's great use of a 1980s sounding electric piano you'd find on an old Casio keyboard on 'Ebony'. The risk pays off massively as the guys manage to make it sound very tasteful and it fits perfectly amongst the rest of the track.
'Muscle' has demonstrated how Affairs' sound has matured but yet still played their cards close to their chest. The songwriting is a lot more thought out, not to doubt their earlier works, but shows a different side to the band, a more expressive side. It shows how diverse their sound can be and displays the sheer potential the band have. If you're thinking of buying this, do it. Now to see them live!
Out of 10: 8
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When hearing the EP on first play I felt as if I was walking on to the set of a 1980s teen movie, almost as if I've been transported to a high school disco where there's awkward but dreamy romance, trendy fashion and many smoke machines, a big sense of nostalgia echoed.
The opener entitled 'Blood Science' starts with dreamlike soundscapes which sets the mood for the fairly free space-like flowing track. The counterpoint harmonies follow through the song which is complete with a catchy hook in the rich chorus. Robinson's vocals are very laid-back which I feel is replicated throughout the EP. It works well as an opener to demonstrate what we can expect from the rest of the songs.
'Savour Us' is the most uptempo of the EP and one of my favourites. The beginning riff echoes similarities to 'Milk & Black Spiders' off Foals' latest LP. This, along with 'Heavy Flight' demonstrate the effectively tight work between the bass and drum parts. The production works brilliantly with the band's style. It builds up towards the end, dense in layers, before whirling in to a mass of bit crusher mess you'd expect more commonly from an old Mario game.
The third track 'Heavy Flight' didn't grab my attention on first impression but after a few more listens I've grown to really like this number. It again follows the droney guitar soundscape themes that have already popped up in the first two songs. 'Heavy Flight' showcases the tight jangly guitars, a characteristic of Affairs' music, and the interplay with all the different musical layers including Robinson's vocals. I feel as if 'Heavy Flight''s build up at the end has so much more potential to give but falls at the last hurdle, nevertheless, a brilliant riff.
Affairs demonstrate the beautiful combination of old and new on 'Stained Gold' and 'Ebony'. Some of the vintage instruments and sounds coexist brilliantly with the new-age sounding atmospheric soundscapes and the different samples. 'Stained Gold' is a romantic slow song with an icy guitar riff that works really well amongst the throbbing bass line and the well-written lyrics 'well your floating around like a boat on the river, you tremble and shiver' and 'your hands are as cold as the ice on your windscreen, fractured and unclean'. The use of electronic drums amongst the warm synth pads work a treat although the chorus doesn't quite transpose in the same way the others on the EP do. I feel like it lacks the catchy hook shown on the majority of Affairs' works.
There's great use of a 1980s sounding electric piano you'd find on an old Casio keyboard on 'Ebony'. The risk pays off massively as the guys manage to make it sound very tasteful and it fits perfectly amongst the rest of the track.
'Muscle' has demonstrated how Affairs' sound has matured but yet still played their cards close to their chest. The songwriting is a lot more thought out, not to doubt their earlier works, but shows a different side to the band, a more expressive side. It shows how diverse their sound can be and displays the sheer potential the band have. If you're thinking of buying this, do it. Now to see them live!
Out of 10: 8
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Friday, 13 June 2014
EP Review... Birdcage - OVO
As we continue to slip uncontrollably into the sounds of 2014, Birdcage, the South Wales 4-piece, manage to tame us by reeling us in with their alternative rock sound. Their rebut EP, ‘OVO’, presents a handful of great influences ranging from Dinosaur Jr to the timeless Neil Young, and it’s enlightening to hear such influences being thrown into this 5 track concoction that soars from fuzz filled songs to a more ambient, acoustic number that gives the EP the perfect balance.
‘OVO’ is the opening track, and what an introduction it is. The intricate guitar melody is shoved to the side by baggy basslines, battering percussion and the swirling, fuzz-filled guitars. The vocals are handed over to Liam, one of two brothers in the group. It’s hard to believe that that Birdcage are from a quiet welsh town as their songs are jam-packed with Seattle grunge that hasn’t been revived fully as of yet. Liam’s voice keeps the pace strong, allowing key changes to happen among the instrumentals, as well as the lo-fi goodness of their influences to shine brighter than the Northern Star. It’s certainly a wake up call, and a fantastic start to a great EP.
Track number three, ‘Settle Down’, acts as the centre point for the EP, and it certainly gives Birdcage a strong profile when it comes to their range of sounds. The heavy, fuzz-filled riffs are dropped for a stripped, raw, acoustic track that is led by the second brother, Alex, on vocals. The layered guitar melody is delicate for these lads, and swirls beautifully in and out of vast chasms, completely dissolving their pedal driven sound to a heartstring pulling, tender sound that is completely unpredictable given their previous tracks. Alex’s vocals gently whisk away the listener to a clean space, giving the EP a perfect balance that showcases the Welsh band in a secure, luminous way.
‘Be Again’ is my personal favourite of the EP. After experiencing Birdcage’s delicacy, it’s inevitable that their fierce fuzz is due to make an appearance. ‘Be Again’ wastes no time in throwing vigorous drum sounds out there, as well as resolute guitars that send the listener into a head banging haze. The chorus is certainly a strong point thanks to the brothers harmonies. They interlink perfectly, emphasising their grunge-filled, fuzzy sound that is undoubtedly compelling.
Birdcage are great at what they do, and their 5-track EP highlights their determination, and dedication, towards the revival of the timeless grunge sound that some say was destined to be created and buried in Seattle. Birdcage have created a brilliant EP, and I’m sure everyone can see how brilliant it would be translated to a stage in front of a live audience. Make sure to protect your eardrums though, this four piece like it loud!
Birdcage - OVO
Out of 10: 8/10
Written by - Cerys Kenneally
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Listen / [SOUNDCLOUD]
‘OVO’ is the opening track, and what an introduction it is. The intricate guitar melody is shoved to the side by baggy basslines, battering percussion and the swirling, fuzz-filled guitars. The vocals are handed over to Liam, one of two brothers in the group. It’s hard to believe that that Birdcage are from a quiet welsh town as their songs are jam-packed with Seattle grunge that hasn’t been revived fully as of yet. Liam’s voice keeps the pace strong, allowing key changes to happen among the instrumentals, as well as the lo-fi goodness of their influences to shine brighter than the Northern Star. It’s certainly a wake up call, and a fantastic start to a great EP.
Track number three, ‘Settle Down’, acts as the centre point for the EP, and it certainly gives Birdcage a strong profile when it comes to their range of sounds. The heavy, fuzz-filled riffs are dropped for a stripped, raw, acoustic track that is led by the second brother, Alex, on vocals. The layered guitar melody is delicate for these lads, and swirls beautifully in and out of vast chasms, completely dissolving their pedal driven sound to a heartstring pulling, tender sound that is completely unpredictable given their previous tracks. Alex’s vocals gently whisk away the listener to a clean space, giving the EP a perfect balance that showcases the Welsh band in a secure, luminous way.
‘Be Again’ is my personal favourite of the EP. After experiencing Birdcage’s delicacy, it’s inevitable that their fierce fuzz is due to make an appearance. ‘Be Again’ wastes no time in throwing vigorous drum sounds out there, as well as resolute guitars that send the listener into a head banging haze. The chorus is certainly a strong point thanks to the brothers harmonies. They interlink perfectly, emphasising their grunge-filled, fuzzy sound that is undoubtedly compelling.
Birdcage are great at what they do, and their 5-track EP highlights their determination, and dedication, towards the revival of the timeless grunge sound that some say was destined to be created and buried in Seattle. Birdcage have created a brilliant EP, and I’m sure everyone can see how brilliant it would be translated to a stage in front of a live audience. Make sure to protect your eardrums though, this four piece like it loud!
Birdcage - OVO
Out of 10: 8/10
Written by - Cerys Kenneally
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Listen / [SOUNDCLOUD]
Monday, 19 May 2014
EP Review... Wolf Alice - Creature Songs
One of today's most exciting bands "Wolf Alice" are streaming their new "Creature Songs EP" exclusively on NME.com. This EP will formally be released on Monday and gives fans another idea of what to expect from their coming album.
Creature Songs EP is a pure gem for guitar music lovers. The 11-minute long EP starts off with "Moaning Lisa Smile". A quiet acoustic guitar intro gives way to an explosion of guitars and the wonderful voice of front woman Ellie Rowsell. The second song "Storms" kicks off loudly before heading into a short breakdown, which is ended by thunderous, aggressive guitar riffs.
The quieter, more thoughtful "Heavenly Creatures" displays Wolf Alice's ability to combine dreamy guitar sound with some excellent lyrics - and, obviously, Rowsell's extraordinary vocal ability.
The EP ends with the track "We Are Not The Same", which features some dreamy, soft synth sounds leaving a deep longing with the listener - a longing for their coming LP.
Listen to "Creature Songs" here.
Out of 10: 8.5/10
Written by - Benjamin Brown
Creature Songs EP is a pure gem for guitar music lovers. The 11-minute long EP starts off with "Moaning Lisa Smile". A quiet acoustic guitar intro gives way to an explosion of guitars and the wonderful voice of front woman Ellie Rowsell. The second song "Storms" kicks off loudly before heading into a short breakdown, which is ended by thunderous, aggressive guitar riffs.
The quieter, more thoughtful "Heavenly Creatures" displays Wolf Alice's ability to combine dreamy guitar sound with some excellent lyrics - and, obviously, Rowsell's extraordinary vocal ability.
The EP ends with the track "We Are Not The Same", which features some dreamy, soft synth sounds leaving a deep longing with the listener - a longing for their coming LP.
Listen to "Creature Songs" here.
Out of 10: 8.5/10
Follow / [FACEBOOK]
Listen / [SOUNDCLOUD]Written by - Benjamin Brown
Friday, 2 May 2014
EP Review... As Elephants Are - Hand Prints EP
Through a consideration to not rush things and pay precise attention to detail, As Elephants Are are about to hit us with an EP that will give them a lengthy and well deserved leap closer to the big time.
The four-piece from Buckinghamshire have been impressing musically tuned ears all round since the release of their debut track, 'War Cry', almost two years ago now. A year later, 'Crystal', confirmed that the band had a lot more in their locker than just one euphoric tune and slots at Reading and Leeds recognised them as one of the finest new bands around. The release of the 'Hand Prints EP' sees a gentle soar in the right direction to becoming one of the most talked about bands around.
Debut track, 'Hand Prints', kicks off where previous track 'Crystal' left off. It's twinkling and vivacious nature burst the first of the four tracks straight into life. The regal and euphoric trumpets highlight the growing maturity of the band's music and the track itself has been recognised by the likes of Sky Sports as backing-tracks to glorious weekend morning football shows.
Second track, 'Kingdom', is just as big as 'Hand Prints' and makes use of lead singer, Ben Stratford's, wavering vocals, refracted by a gripping and echoey electric guitar. The stand-out moment of the EP comes 2 minutes 30 seconds into the song as the band switch from a deep moodiness to an uplifting, danceable rhythm. Their ability to shift between serious undertones to a more upbeat, jubilant tempo is one that is hard to rival.
'Souls' brings us back down to earth and shows off the beautiful intensity that can be brought about through As Elephants Are music. It's brooding, and ready to make the ground shake beneath you, much like the band's debut track, 'War Cry'. This is followed up by final track, 'Went Wrong', a slow-tempo, alternative love song with an ear-ringing riff and heavy bass throughout which builds up to yet another big finale for As Elephants Are.
The problem with an EP is you'll often have a track, maybe two that won't ever quite reflect the potential of a band. The wondrous problem with As Elephants Are though, is that this isn't the case. All these songs could easily fit onto a debut album. All are anthemic, gripping and individually brilliant. Their ability to avoid force-feeding fans with music every month but instead to take care over what they produce is what will make them triumph in the music scene.
'Hand Prints EP' is due for release on 5th May 2014.
As Elephants Are - Hand Prints EP
Out of 10: 9/10
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Listen / [SOUNDCLOUD]
The four-piece from Buckinghamshire have been impressing musically tuned ears all round since the release of their debut track, 'War Cry', almost two years ago now. A year later, 'Crystal', confirmed that the band had a lot more in their locker than just one euphoric tune and slots at Reading and Leeds recognised them as one of the finest new bands around. The release of the 'Hand Prints EP' sees a gentle soar in the right direction to becoming one of the most talked about bands around.
Debut track, 'Hand Prints', kicks off where previous track 'Crystal' left off. It's twinkling and vivacious nature burst the first of the four tracks straight into life. The regal and euphoric trumpets highlight the growing maturity of the band's music and the track itself has been recognised by the likes of Sky Sports as backing-tracks to glorious weekend morning football shows.
Second track, 'Kingdom', is just as big as 'Hand Prints' and makes use of lead singer, Ben Stratford's, wavering vocals, refracted by a gripping and echoey electric guitar. The stand-out moment of the EP comes 2 minutes 30 seconds into the song as the band switch from a deep moodiness to an uplifting, danceable rhythm. Their ability to shift between serious undertones to a more upbeat, jubilant tempo is one that is hard to rival.
'Souls' brings us back down to earth and shows off the beautiful intensity that can be brought about through As Elephants Are music. It's brooding, and ready to make the ground shake beneath you, much like the band's debut track, 'War Cry'. This is followed up by final track, 'Went Wrong', a slow-tempo, alternative love song with an ear-ringing riff and heavy bass throughout which builds up to yet another big finale for As Elephants Are.
The problem with an EP is you'll often have a track, maybe two that won't ever quite reflect the potential of a band. The wondrous problem with As Elephants Are though, is that this isn't the case. All these songs could easily fit onto a debut album. All are anthemic, gripping and individually brilliant. Their ability to avoid force-feeding fans with music every month but instead to take care over what they produce is what will make them triumph in the music scene.
'Hand Prints EP' is due for release on 5th May 2014.
As Elephants Are - Hand Prints EP
Out of 10: 9/10
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Listen / [SOUNDCLOUD]
Tuesday, 12 November 2013
EP Review... We The Wild - Vol.1
After the sudden split of Futures late last year their fans were wondering when the next time they could see Ant West and his friends in action. Well a month ago a new duo came onto the scene, and guess what? Ant West and Casey Roarty formed a band, they called themselves We The Wild and their first EP is an absolute stunner!
It would be unfair to compare them against their past work but as far as uniqueness goes they're up there with the likes of Alt-J and Bastille. Just doing what they love and not worrying about what anyone else thinks "You Lost My Mind" is one of those glitchy-pop tracks that has you captured from the first note, certainly a track with longevity. I'll be certainly eager to check out them when they play this live, as I can see this being an interesting experience for everyone involved. "Body Electric (Blue)" is their most played track on their soundcloud, and for good reasons too! It's been played everywhere, from the BBC's Radio 1 to Canadian Radio Stations and even cooking shows in Channel 4. The electronics on this song are just amazingly complimented with the piano keys and strings, something you don't find these days, bands experimenting with Electronics and Orchestral instruments and pulling it off, a smashing track all round!
The second half of the EP is more of a lighter affair, it starts off with "Daisy May", it's the nearest track on the EP that I can see a conventional 4 piece band being able to play, with guitars and elements of the orient within it's soft underbelly. If you listen to the song in the second verse you can hear some interesting sounds - and once again, everything clicks! The EP ends with the simply sublime "Float" - the track has gentle guitar tones, harmonies and an abundance of catchy lyrics that will have you singing to yourself for hours and days!
We The Wild have created the most exciting EP I have heard this year, and for that alone I am going to give them a score that I haven't given to anyone for a long time. The EP is full of interesting and intricate sounds, beautiful vocals & harmonies, gentle tones and the sound of the future. I can see them just getting bigger and bigger of this EP, and I really hope they're going to be as big as Alt-J, because the lads deserve it on talent and integrity alone, the most consistent EP I've heard in a while - just love it! - Don't believe me? Listen to it below!
We The Wild - Vol.1
Out of 10: 10/10
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Listen / [SOUNDCLOUD]
It would be unfair to compare them against their past work but as far as uniqueness goes they're up there with the likes of Alt-J and Bastille. Just doing what they love and not worrying about what anyone else thinks "You Lost My Mind" is one of those glitchy-pop tracks that has you captured from the first note, certainly a track with longevity. I'll be certainly eager to check out them when they play this live, as I can see this being an interesting experience for everyone involved. "Body Electric (Blue)" is their most played track on their soundcloud, and for good reasons too! It's been played everywhere, from the BBC's Radio 1 to Canadian Radio Stations and even cooking shows in Channel 4. The electronics on this song are just amazingly complimented with the piano keys and strings, something you don't find these days, bands experimenting with Electronics and Orchestral instruments and pulling it off, a smashing track all round!
The second half of the EP is more of a lighter affair, it starts off with "Daisy May", it's the nearest track on the EP that I can see a conventional 4 piece band being able to play, with guitars and elements of the orient within it's soft underbelly. If you listen to the song in the second verse you can hear some interesting sounds - and once again, everything clicks! The EP ends with the simply sublime "Float" - the track has gentle guitar tones, harmonies and an abundance of catchy lyrics that will have you singing to yourself for hours and days!
We The Wild have created the most exciting EP I have heard this year, and for that alone I am going to give them a score that I haven't given to anyone for a long time. The EP is full of interesting and intricate sounds, beautiful vocals & harmonies, gentle tones and the sound of the future. I can see them just getting bigger and bigger of this EP, and I really hope they're going to be as big as Alt-J, because the lads deserve it on talent and integrity alone, the most consistent EP I've heard in a while - just love it! - Don't believe me? Listen to it below!
We The Wild - Vol.1
Out of 10: 10/10
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Listen / [SOUNDCLOUD]
Monday, 9 September 2013
EP Review... Suzuki Method - Native
Suzuki Method are a 5 piece from Salford who are most definitely on their way to something special in the future. With this 5 track EP demonstrating the best of their abilities and the potential they have as a tight unit, it's about time to we start to take the electro band even more seriously.
Looking back at some of the best singles of 2013, it's clear that there is a winning formula starting to become more obvious and has managed to get Daft Punk, The 1975, Arcade Fire and so many more a hell of a lot of record sales (I'm predicting Arcade Fire's sales). Suzuki Method are quite clearly on to that same path as they bring electronic mixes, guitar loops and funk all in to one which is so evident from the beginning of Sherbet. It provides a futuristic feel but giving a small, minor hint of a real 80's influence – something which is extremely favourable at the moment.
Country Cousins is the track that stands out from the rest. Taking a clear direction with their music, Suzuki Method manage to build upon their usual techniques to create an extremely effective, yet subtle to the ears sound which forces an energetic wave of heavier disco to the surrounding environment. It is to easy to hear that they have worked on the track for ages to get it right and build up to the best possible result and I have no doubt in saying that if they had taken it any further, it could have been ruined.
This release most certainly doesn't weaken towards the end as we're treated to 3 more tracks full of tight synths, immediate break downs and fiery passion from each band member. Subjecting us to only the best, this ever-improving group are showing that they have been paying very close attention to the music scene and now it's time that we pay attention to them and I am definitely doing that. Be Cruel Be Kind, Strangelet and You Asked For The Moon And You Got It all project different personalities within the band but keep it tight-knit with their main sound that carries through the EP like any well thought through release would.
Suzuki Method have never made it is so clear that they mean serious business in a time of extreme competitiveness, but with these 5 tracks, they are likely to turn heads and gain attention. With it being released to the public later this year, this is your chance to jump on board and become a fan of them. There's not a chance that they're going anywhere any time soon.
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Listen / [SOUNDCLOUD]
Friday, 26 July 2013
EP Review... Bloc Party - The Nextwave Sessions EP
We're massive Bloc Party fans here, and it's safe to say that when they went on hiatus back in 2009 we started the blog. Coincidence? Well no, I wanted to find the next Bloc Party before anyone else did, and since it's snowballed into this! So I am very excited to bring to you a fans' review of the EP. Written by myself (Fred).
Ratchet:
The EP opens with the rather dance and radio friendly "Ratchet", after being in their set for nearly 8 months fans have been rather eager to hear a fully recorded version, and when it dropped in June we were shocked how well we warmed to it. "Make it loud, make it proud, just make it count!" - You certainly make it count, this song has seen them re-capture their fans imagination, especially with the help of the rather awesome video! A dance-floor filler for any Indie club-night!
Out of 10: 8/10
Obscene:
The EP then takes a turn away from the dancey Indie-Rock, "Obscene" is more of a Kele solo-track rather than a Bloc Party track, with gentle vocals caressing the slow drum beat and wobbly bass you may think that this is a cut from "The Boxer" (Kele's solo album). But with Russell playing away with some slow guitar in the background you may be also forgiven to think this is a track off their third album "Intimacy" - it's got that vibe towards it, mainly synth, Kele and electronic beats.We're not hating on it one bit, if anything, one of the best Bloc Party tracks we've heard in a long time!
Out of 10: 9/10
French Exit:
Back to the good old days, just four guys and their instruments, no flim flam! "French Exit" starts off with a bang, Russell's guitar, tight drumming from Matt and Kele verging on rapping over the top. When the bridge comes in towards the end it really reminds us of "Hunting For Witches". This whole song shouts "A Weekend In The City" - slightly electronic but not shying away from the four instruments that made them who they are. By far my favourite song on the whole release. When you hear it you'll know why!
Out of 10: 9.5/10
Montreal:
A slow track once again, breaking the release down once more. Some lovely moments happen in this track. The duel between Russell's guitar and Kele's vocals throughout the track is just amazing, really shows anyone who hasn't listened to the band before what can be done with conventional instruments. The slow track has one problem in my eyes, it doesn't go anywhere, it has a small crescendo towards the end, but that is simply more effects on the guitar. Easily a track you can listen to over and over again and not get bored over, it's the love track of the EP.
Out of 10: 8/10
Children Of The Future:
The track that started the whispers of new material, origionally on set-lists as "Little Red" - which turned out to be a red herring - this is the closer of the EP, and it leaves a bitter-sweet taste for me. Not the song I would've picked as the closing track, simply because it doesn't really sound like Bloc Party. However, that doesn't mean that it's shit, they've taken on-board some key influences here, I can hear early Smashing Pumpkins and a bit of Ash. This is the closest thing you can you'll be able to get to the 'Union' and 'The Angel Range' days, a delicate guitar track for the fans to love for years to come!
Out of 10: 7/10
Bloc Party - The Nextwave Sessions EP
Out of 10: 8/10
This ISN'T the end of Bloc Party, but just an interval, a stop-over, a rest. Call it what you want, I don't see this being the end, god no! I can see the EP being a huge success, more than "Four"? Well with the diversity of the tracks included in the release I can safely say I enjoyed this a lot on the first listen! The EP shows the band doing what they do best, danceable Indie-Rock, slow jams, love songs, guitar driven anthems and possibly the closest song we're going to get to the 'Union' demos. Pick a copy of this up if you've got any love for the band!
If you impatient for the EP, head over HERE to check out live versions of the new tracks!
Follow / [FACEBOOK] / [TWITTER]
Other / [OFFICIAL SITE]
Ratchet:
The EP opens with the rather dance and radio friendly "Ratchet", after being in their set for nearly 8 months fans have been rather eager to hear a fully recorded version, and when it dropped in June we were shocked how well we warmed to it. "Make it loud, make it proud, just make it count!" - You certainly make it count, this song has seen them re-capture their fans imagination, especially with the help of the rather awesome video! A dance-floor filler for any Indie club-night!
Out of 10: 8/10
Obscene:
The EP then takes a turn away from the dancey Indie-Rock, "Obscene" is more of a Kele solo-track rather than a Bloc Party track, with gentle vocals caressing the slow drum beat and wobbly bass you may think that this is a cut from "The Boxer" (Kele's solo album). But with Russell playing away with some slow guitar in the background you may be also forgiven to think this is a track off their third album "Intimacy" - it's got that vibe towards it, mainly synth, Kele and electronic beats.We're not hating on it one bit, if anything, one of the best Bloc Party tracks we've heard in a long time!
Out of 10: 9/10
French Exit:
Back to the good old days, just four guys and their instruments, no flim flam! "French Exit" starts off with a bang, Russell's guitar, tight drumming from Matt and Kele verging on rapping over the top. When the bridge comes in towards the end it really reminds us of "Hunting For Witches". This whole song shouts "A Weekend In The City" - slightly electronic but not shying away from the four instruments that made them who they are. By far my favourite song on the whole release. When you hear it you'll know why!
Out of 10: 9.5/10
Montreal:
A slow track once again, breaking the release down once more. Some lovely moments happen in this track. The duel between Russell's guitar and Kele's vocals throughout the track is just amazing, really shows anyone who hasn't listened to the band before what can be done with conventional instruments. The slow track has one problem in my eyes, it doesn't go anywhere, it has a small crescendo towards the end, but that is simply more effects on the guitar. Easily a track you can listen to over and over again and not get bored over, it's the love track of the EP.
Out of 10: 8/10
Children Of The Future:
The track that started the whispers of new material, origionally on set-lists as "Little Red" - which turned out to be a red herring - this is the closer of the EP, and it leaves a bitter-sweet taste for me. Not the song I would've picked as the closing track, simply because it doesn't really sound like Bloc Party. However, that doesn't mean that it's shit, they've taken on-board some key influences here, I can hear early Smashing Pumpkins and a bit of Ash. This is the closest thing you can you'll be able to get to the 'Union' and 'The Angel Range' days, a delicate guitar track for the fans to love for years to come!
Out of 10: 7/10
Bloc Party - The Nextwave Sessions EP
Out of 10: 8/10
This ISN'T the end of Bloc Party, but just an interval, a stop-over, a rest. Call it what you want, I don't see this being the end, god no! I can see the EP being a huge success, more than "Four"? Well with the diversity of the tracks included in the release I can safely say I enjoyed this a lot on the first listen! The EP shows the band doing what they do best, danceable Indie-Rock, slow jams, love songs, guitar driven anthems and possibly the closest song we're going to get to the 'Union' demos. Pick a copy of this up if you've got any love for the band!
If you impatient for the EP, head over HERE to check out live versions of the new tracks!
Follow / [FACEBOOK] / [TWITTER]
Other / [OFFICIAL SITE]
Monday, 3 June 2013
EP Review... Kodaline - Love Like This
We don’t miss a chance to talk about our favourites Kodaline and though their album is coming in the next days, news about them have come a bit earlier. Love Like This EP comes out with two new songs that won’t be part of the album and an acoustic version of the single. The EP is available on Soundcloud so that everyone can enjoy it!
"Love Like This" will sure become an anthem for this summer/spring crushes and fleeting couples. With a folky fun mandolin and the group’s laughs in the background, the beginning of the song sets us in the mood for the joyful and harmonica rushed chorus that will become one of their highlights on-stage.
If they had been compared to Coldplay before, when "What It Is" starts there is an automatic reflection to Fix You. The song talks about growing-up, finding your own path in life and the resignation of living “in a world that is never as it seems” and where “people try to buy and sale their dreams”. In a chorus side-to-side chant the message is clear: as McCartney’s mum said, Let It Be and try to make your best on your own.
"Midnight" creates a surrounding atmosphere, with mumbled lyrics, Steve’s voice lower than the usual and a recurring rhythm. A simple and calmed song that links perfectly the feeling towards the acoustic version of Love Like This. This time, forget about celebrating the short but passionate vacation love, because sadness takes the stage from the beginning. Folk inspiration is replaced by the piano, and the laughs by a tissue-pack, saying goodbye to that love that couldn’t last forever. The chorus hymn becomes a hurt cry, and so, it ends, the love, and the EP.
After this we can’t hide our excitement for the album release, but will it be for a transitory love or will it last forever?
Kodaline - Love Like This
Out of 10: 9/10
Written by - Belén Martínez Saiz
"Love Like This" will sure become an anthem for this summer/spring crushes and fleeting couples. With a folky fun mandolin and the group’s laughs in the background, the beginning of the song sets us in the mood for the joyful and harmonica rushed chorus that will become one of their highlights on-stage.
If they had been compared to Coldplay before, when "What It Is" starts there is an automatic reflection to Fix You. The song talks about growing-up, finding your own path in life and the resignation of living “in a world that is never as it seems” and where “people try to buy and sale their dreams”. In a chorus side-to-side chant the message is clear: as McCartney’s mum said, Let It Be and try to make your best on your own.
"Midnight" creates a surrounding atmosphere, with mumbled lyrics, Steve’s voice lower than the usual and a recurring rhythm. A simple and calmed song that links perfectly the feeling towards the acoustic version of Love Like This. This time, forget about celebrating the short but passionate vacation love, because sadness takes the stage from the beginning. Folk inspiration is replaced by the piano, and the laughs by a tissue-pack, saying goodbye to that love that couldn’t last forever. The chorus hymn becomes a hurt cry, and so, it ends, the love, and the EP.
After this we can’t hide our excitement for the album release, but will it be for a transitory love or will it last forever?
Kodaline - Love Like This
Out of 10: 9/10
Written by - Belén Martínez Saiz
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