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Showing posts with label George Henry King. Show all posts
Showing posts with label George Henry King. Show all posts

Monday, 27 July 2015

[LISTEN] Surge - When I Love You (Demo)

Released as a sort of 'stop-gap' track between their début single and their new release "Loveblood", Surge from Essex have put out a rather delicate acoustic demo of "When I Love You". They wrote on their soundcloud...
"Seeing as we haven't released any music since our début single, 'Tears Of Joy' back in April, we decided to put together and record this mellow acoustic number/demo (that has never been played live or used in anyway), in order to bridge the gap somewhat, before our forthcoming single, 'LOVEBLOOD' is released next month."
Expect to hear this track in a fully recorded at some point. 


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Monday, 15 September 2014

Introducing...Chasin' Vegas and their debut single, 'Times Are Hard'

Much like the inevitable fate of a drastically obese, middle-aged bald man – who consistently appears unnervingly, unstable when running on the local leisure centre treadmill – the music scene in the washed-up, seaside Essex town that I currently reside in has well and truly fallen to its knees – embarrassingly adopting the inability to get back up, in the process.
The overall morale of the place in general is fairly bleak in itself. It’s riddled with the irony of drug taking pregnant women, updating us on Facebook at least twice an hour about their VERY long lasting desire to escape the place for a better life – and it’s plagued with drunken, lobotomised corpses that simultaneously scream and spit in the face of anyone who looks at them in disgust, every time they pick a fag butt up off of the floor.
It’s sad, in a way because if you aren’t the very few people who are contributing to the problem, it’s likely you are longing to run away from it.
Chasin’ Vegas however, an anthemic, British rock inhibiting four-piece, consisting of three members that have past connections with the Essex music scene (whilst the other member is an Ipswich resident), are the guitar yielding, music circuit revivers the town and maybe even the country have been waiting for.
Forming from the ashes of their previous projects, this band is different from any local band I’ve ever seen prior. Not necessarily in how they sound, but in how so early on into their infant career, they appear very, very ambitious and driven to achieve. There is no point in setting yourself a target if you could hit it now and that’s exactly what this band haven’t done. In fact, I believe that to be the very reason why, Chasin’ Vegas – armed with their fantastic and relevant debut single, ‘Times Are Hard’ – are about to prevail in injecting a much needed dose of British Rock back into the veins of Essex’s current cover-band infested music circuit, and succeed in helping true, patriotic guitar music get back on its feet.
When the age of decent guitar music, weakened and crumbled under the pressures put on it by major record labels and later on, the introduction of reality T.V shows, this band, amidst the rubble, desperately clung to a chunk of Britpop debris in the hope of one day being able to use it to piece back together the very essence and nostalgia of that period – and, in doing so, they have now perfectly, inhibited it into their sound.
The track itself then – the reason we are all here – is exactly what you’d expect from a band fronted by a man that, when donned with his jet-black shades and his mod-esque haircut, could easily be the musical offspring of Liam Gallagher and whoever he recently had an affair with – but when reservedly sat with a guitar in his lap, acquires the melodic capability of Noel – a trait prominent in this single.
It pours with an oasis of screeching guitar riffs and solos that are executed exquisitely by lead guitarist, Ryan Wadey, and in the space of the opening ten seconds, the first four chords – courtesy of frontman and lyrical whizz, Tony Clarke – single-handedly capture everything that was great about the ‘90’s and consistently as the track goes on, audaciously looks to re-implement the beauty of that era onto a generation that’s currently brainwashed by the ripples of Nicki Minaj’s ‘twerking’ backside.
Yes, admittedly, you wouldn’t be wrong if you were to initially think that this was a previously, un-heard single dug out of the Gallagher brothers’ archive of forgotten songs, but then again, who really cares? I don’t. ‘Times Are Hard’ may not be experimental, new or revolutionary in how its sound harks drastically back to a now sadly bygone era, but at the end of the day, it’s a brilliant, ‘working class’ friendly, belter of an anthem that grabs life by the bollocks and tells it to fuck off. It’s exciting and gritty. It’s real – something that pop-culture today, truly isn’t.
The minimalistic, yet effective drums from Tim Norman and the grooving bass, courtesy of Joshua Greenley, covert the now responsible adults and parents back into acid taking teens and then transports them straight back to the days of Madchester. The ‘shivers down your spine’ inducing, chorus is nothing short of pure, stadium filling, anthemic brilliance – and it’s surely only a matter of time before a chorus bellowing crowd awaits this band, to do just that.
‘I just want to be there for you, even when times are hard’, sings Clarke in every chorus – and considering the tidal wave of persistent negativity that modern day Britain is currently drowning in – we couldn’t ask for anything more. Let’s just hope he, and Chasin’ Vegas, stick to their word.
Chasin Vegas has now released debut single, ‘Times Are Hard’ via their official website, chasinvegas.com and it is currently available for free download.
The band are currently in the process of booking their first run of gigs and recording their debut E.P.

8.5/10
WORDS: GEORGE HENRY KING

Tuesday, 15 July 2014

Jamie T returns with new track, 'Don't You Find'

When it comes to the art of vanishing off the face of the earth and leaving people to conclude that the only possible outcome for your disappearance, is that you've been consumed by the Bermuda Triangle, there are only three people that have ever really nailed it - Houdini, Bin Laden and South-London musician, Jamie T.
The latter of three, a Wimbledon born, singer-songwriter who was once branded the 'one man Arctic Monkey', produced two of the finest albums in the history of British music. Albums that soundtracked every night of underage drinking, every one night stand, every punch up with the police, every moment of regret and every glorious calamity that makes Great Britain so great. 
But sadly, just like the thrill of downing your first pint at the age of 14 in a garage full of Nuts magazines, empty beer cans and your best mates, Jamie T disappeared close to five years ago. 
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However, just when everyone had all but given up hope on the possibility of rekindling the very memories that were made to the sound of his songs, Jamie T defied the odds and did what no one thought he would do - return. And his brand new track, entitled 'Don't You Find' will premiere as Zane Lowe's 'Hottest Record' tonight on Radio 1 at 7pm.
As we get older, I believe we look to nostalgia for happiness more than we look to anything else -but the revival of Jamie T might just mean we no longer have to long for the chaotic, fun, scary, dangerous, unpredictable, exciting and exhilarating times we had when we was younger - because his return will act as a gateway to reliving them. 
By George Henry King
www.georgehenryking.com
www.twitter.com/georghenryking

Friday, 25 April 2014

The Libertines officially confirm reunion and release Hyde Park details (ticket links)


The Libertines have this morning officially confirmed that they will reunite for a summer show in London's Hyde Park.

The long awaited confirmation comes after a week of endless speculation and rumours - predominantly fuelled by an array of hints and clues released by both the band members and their social media sites.
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One of the last 'hints' to appear on the bands Facebook page. A picture of Julius (July) Caesar - the FIFTH Roman General.
Finally breaking the news just moments ago, the four-pieice wrote on their Facebook page, ''THE GOOD SHIP ALBION IS SETTING SAIL SOONER THAN YOU THOUGHT. We're HEADLINING BST Hyde Park, 5th July.''

You can read more about how the band slowly but surely drip fed fans the news of their comeback via  Carl Barat says 'keep July 5th free' and  The Libertines to reunite for Hyde Park shows?

The London band, who last played together when they reunited back in 2010 to play at the Reading and Leeds festivals, have also released the full event details - including the gigs line-up and ticket release date.

Tickets will go on sale on May 2nd but can be pre-ordered as of Monday from The Libertines Hyde Park Tickets Pre-Order.
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One of the first 'hints' to appear on official Libertines Facebook page. A map of London's Hyde Park,
The full line-up has now also been officially announced after it was leaked by Sheffield band, Reverend and The Makers in the early hours of this morning.
The official line-up
The official line-up
Late last night, both Georgehenryking.com and Itsallindie.com were some of the first to break the news of the Hyde Park shows rumoured line-up as well as an early reunion confirmation after the following information (see imagine below), was quietly placed on the ticket part of NME.com - who appeared to refrain from publicising it.

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By George Henry King
@GeorgeHenryKing

Tuesday, 22 April 2014

Carl Barât says 'keep July 5th free' for potential Libertines reunion show

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Carl Barât has subliminally confirmed The Libertines will reunite for a show at London's Hyde Park - after recently suggesting that fans ''keep the 5th July free.''

The Libertines co-frontman is reported to have told Gigslutz that it is now "very much a possibility" that the band will reform.

Talking of the potentional reunion during his recent DJ set at Ladbroke Grove's KPH, Barât allegedly said ''keep 5th July free'', after being pushed for a live show date.

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Speculation amongst fans was first initiated over the weekend after a status saying, ‘Albion?’ was shared on the band’s official Facebook page.

The possibility of The Libertines reforming was then made even more likely after an image of Hyde Park was also posted on the London bands social media site.

Carl Barâts comments follow a series of reunion implications from fellow frontman Pete Doherty.


(source: NME.com)

By George Henry King
www.georgehenryking.com

Monday, 21 April 2014

Jack White releases 'Lazaretto' lead single and tracklisting (listen)

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Former White Stripes frontman, Jack White has released the first official single from his forthcoming album, 'Lazaretto'.

The announcement, that was posted on Whites Facebook page earlier this evening, was also accompanied by the albums full tracklisting, that can be seen below.

The lead single, which also acts as Lazarettos title track, follows previously revealed album track 'High Ball Stepper' - a song that the American musician released alongside the news of his new solo LP earlier this month.

White recently succeeded in delivering the world's fastest studio-to-store record and will also embark on a headline tour across North America, Europe and the UK in support of the album.

Lazaretto is Jack Whites second solo LP and will be released on June 9th/10th via Third Man Records.

Lazeretto tracklisting:
1. Three Women
2. Lazaretto
3. Temporary Ground
4. Would You Fight For My Love?
5. High Ball Stepper
6. Just One Drink
7. Alone In My Home
8. Entitlement
9. That Black Bat Licorice
10. I Think I Found The Culprit
11. Want And Able



By George Henry King
georgehenryking.com

Wednesday, 9 April 2014

Damon Albarn open to making an album with Noel Gallagher

They were once at each others throats during the infamous Oasis vs Blur Britpop rivalry back in the 90's.

But with over twenty years having now passed, it appears that Noel Gallagher and Damon Albarn's relationship has taken a complete U-Turn, and it's leading them straight into the studio - together.

This week, Damon revealed that making an album with the former Oasis man is a ''distinct possibility'' and that it wouldn't be ruled out. He claims that the pair have spoke about making music together at least once and at some point in the future, it's likely to happen.

Damon and Noel have spoke about making an album
Last year the pair appeared to bury their two decade hatchet when they performed together at a Teenage Cancer Trust gig at London's Royal Albert Hall.

Speaking exclusively to NME, the Blur frontman said: "I still see Noel from time to time. We text a bit," Albarn says. When asked if the pair would be making a record together, he replied, "I can imagine that being a very distinct possibility at some point in the future. But, as yet we haven't really talked about it…"

Damon continued: "OK we have a little bit. We're talking. It's not anything to get excited about yet. I mean, he's doing his thing. He's finishing a new record. I've got my record coming out, but the principle of us making music together is something…you know, it would be fair to say, we have discussed it at least once."

Damon Albarn will release his debut solo album 'Everyday Robots' on April 28th and Noel is said to be currently working on a follow-up to 2011's, 'Noel Gallagher's High Flying Birds'.

(source: NME.com)
By George Henry King 
www.twitter.com/georgehenryking
www.georgehenryking.com

Tuesday, 25 February 2014

Coldplay share video for brand new song, 'Midnight'.

Coldplay have moments ago surprised fans and critics-a-like with a brand new song entitled, 'Midnight' with an accompanying music video - scroll down to watch and listen. 

The Mary Wigmore directed music video was spontaneously uploaded to the band's official website with no additional information earlier this afternoon. It predominantly sees the band roaming around a forest whilst the title tracks, that hints at a new yet potentially marmite musical direction, soundtracks it.

Coldplay surprise fans with new single
The Chris Martin fronted group, whose last album 'Mylo Xyloto' sold over 8 million copies worldwide, are rumoured to be working on their sixth LP and although there has been no confirmation as of yet, perhaps this musical gem is an indication to suggest the arrival of it isn't that far away. 

George Henry King
www.twitter.com/georgehenryking




Wednesday, 5 February 2014

Interview with... Jon McClure of Reverend and The Makers

Just over a couple of weeks ago I was fortunate enough to be exclusively sent a watermarked copy of the brand new Reverend and The Makers album, 'Thirty Two' - due out February 24th. Now, after one fantastic 9/10 review later, courtesy of Its All Indie - I had the privilege of talking to Sheffield front-man Jon McClure for a no-holds-barred, exclusive interview.

Hello Jon, thank you for taking the time to do this interview. Right, first of all, your new album is scheduled for release later this month. How long have you been working on this album and overall how many songs were written before you decided on the final 11 song track listing?
 

Jon - About a year I reckon. We had about 20 songs so it's slimmed down to 11 - but it's like all killer no filler you know what I mean? haha 

The new album is entitled 'Thirty Two' – was there any particular reason for calling it that? Is it because you have recently turned 32 – just in time for the release of the album? 

Jon - I think it's a bit of a continuation of the last album really. We've hit a point where we have this cult following and I’m at ease being 32. I've nothing to prove so it's almost back to our debut where we just write tunes for the tunes sake. It's liberating and I think it's (Thirty Two) our best work. We've tried hard to combine the two things that make Sheffield ace which is the electro thing from The Cabs, Heaven 17 and The Human League, combined with the lyrical thing which people like Jarvis are so good at. 

You initially made the announcement of a new album via your Twitter page – and the social network site seems to be a predominant part of your band now with even your third album having being called @Reverend_Makers, your Twitter username. So how important is Twitter do you think in regards to being able to connect with fans on a more personal level? 

Jon - Well you have two distinct choices as a musician. A - Make cheesy fucking music to fit in with Little Mix and 1D and get on the radio or B - make music on your own terms and rely on social media and word of mouth to do the rest - I know where I'm at.  

Do you think it’s wrong then when bands effectively employ someone else to run their social networking sites for them as it means they aren’t gaining the chance to connect with their fans as much as they could? 

Jon - Well there’s a couple of Indie boys who employ people to write their music so it's no great leap to get someone to do your Twitter. It's an industry of fakers. It's a shame fans don't read the credits more. 

On the topic of involving fans, by using pledge music fans will be able to somewhat feel like they have had a part to play in the process of this new album, and you are also giving some people the chance to have you perform personally in their house - do you think it’s important to do things like this for fans and do you think more bands should be doing similar things to break down the barriers between fan and band?

Jon - Well it's about communication of the spirit of the music. I write songs about real life and it's my way of standing with the fans and saying, "I'm one of you". It's peoples music. I think, and I hope that people see the disconnection between the bullshit in the mainstream and what people actually want.

I caught up with Reverend and The Makers front-man, Jon McClure
In regards to the house gigs, the response has been amazing. I sort of nicked the idea from my pal Carl Barat though. Him and Peter used to do similar things didn't they? The main thing though is it's such a laugh. Like you make an album then tour it then go to festivals and it becomes formulaic. This is my way of getting back to the soul of the music. It's been class though. I've had a wedding proposal, a dog named after me, a car crash and a riot van turn up all in one week so far!

Out of all the house gigs you have played so far – which one has been the best and why? 

Jon - Always the last one you play. That's why I keep doing it. It's like a junkie. That adrenaline you get from your latest gig is addictive man!

I have already had the privilege of listening to the new album but for your fans that of course will have to wait a little longer than I have to get their hands on it, can you describe to them what they can expect from your fourth LP?  

Jon - Just bangers - the type you're not supposed to be able to write by the fourth album, but I think we are better now than 10 years ago so yeah strap in for a load of bangers, with a couple of classy ballads chucked in just because. 

It's been around six years now since your debut album 'The State of Things' was released and although all three of the albums you have released have rightfully achieved a place in the Top 20, it's your debut that appears to remain your highest charting - does the success of a previous album ever have an effect in regards to how you look to approach its follow up? Or do you treat every album as if it's your first and not dwell on the success of the album that came before?
 

Jon - To be honest the first did the best because they hammered it on the radio. Since then the radio has undergone a sea change where they've started playing non-stop bollocks like Little Mix and Calvin Harris to compete with the commercial stations so the fact we still do alright and get in the charts is testament to our music and to the fans I think who know where the real music is at. 

You also recently announced the dates for the UK tour that will be in support of the new album. Although you will be playing all over the country, is it the Sheffield date you always most look forward to when first kicking off a tour? 

Jon - God no. The actual gig in Sheffield is always amazing but I've got that many aunties and cousins and what not it's like a wedding. Going round kissing folks and saying hello to everyone is a right old stress haha. Liverpool, Manchester or London are all massive gigs but with less relatives so I can be a bit naughtier I reckon haha 

Are you going to be playing any festivals this year in light of the new album and if so which ones can you currently confirm? 

Jon - Can't confirm any yet but yeah there will be loads. We have become a bit of a 'festival' band in the last few years so we will be bringing the party - no doubt.

You were allegedly offered up to £150,000 to make an album ‘like Arctic Monkeys’ back in 2005 by some major labels – do you think that is a clear example of what is slowly becoming wrong with the music industry? The fact that major labels seem to be on a constant mission to change and mould an artist into what they perceive to be something they can make money out of?

Jon - They just want carbon copies. So for instance I've known Ed Sheeran for years. He was plugging away at an industry which wouldn't listen. Then he does well, then we get ten Ed Sheeran clones. Music is about money and marketing nowadays and the artists are often a secondary factor. I refuse to participate in any of that bollocks.


Following that, you went onto sign a record deal in 2006 I believe with Wall Of Sound - but do you think it’s harder now for a new band to break into the industry given the fact that shows like Radio 1 seem to mainly prioritise ‘pop/dance acts’ who are already somewhat guaranteed chart success due to that huge label backing? 

Jon - Exactly. I agree with that. Fuck it though. Chart your own path. I still believe in word of mouth, especially through things like Twitter.  

In regards to the new bands who actually have seemed to have made some impact over the last year, such as Peace, Palma Violets and Haim etc. – what do you think of them? And what other under the radar bands do you think we should all look out for? 

Jon - There's a lot of posh kids isn't there? Like they can afford to do fuck all apart from go round in a van being in a band. There's no pressure to pay the gas bill is there. There seems to be a dearth of peoples music to my mind but yeah there are loads of amazing bands. Liberty Ship from Sheffield are the best I've heard in years.

The lyrical content in your songs has always seem to focus around real life situations that are more than relatable to an audience – do you think this is vital then in regards to once again connecting with your audience successfully? 

Jon - Well I think bands turn shit when they stop writing about subjects their audience comprehend. To that end it's vital to keep a strong connection with what fires your lyrics. So I stay in Sheffield. I hang out with my brother who runs a pub and my cousin who works on the bins. It's the little stories isn't it? I doubt it's the same if you're on a fucking yacht somewhere getting a tan!

Do you think bands that attempt to write lyrics that are overly metaphorical and abstract to the point where you can’t make sense of them is a bad move? 

Jon - Depends who you are. But yeah sounds like utter bollocks to me. Of course the journalists are almost 100% from private school backgrounds now. To work at a paper you must do an unpaid internship. How many folk do you know can live in London for a month, unpaid? So inevitably the press is staffed by the privileged. What they know of the things I sing of is minimal isn't it? So it's natural they would hate my music.

What is married life like on the road? Are there ever any major disagreements? Or is being able to share the same live on stage experiences and emotions every night a great feeling to be able to do together?

Jon - When we were getting together it was very dramatic. Rev-enders we used to call it. It's fucking beautiful now though. I love Laura to bits and without her and Ed there would be no band 'cause I have been a right wanker at times haha.

You recently played a ‘This Feeling’ night on NYE, alongside Carl Barat and The Rifles – what was the overall night like? The best way to bring in the New Year? And did you manage to catch the opening band The Mono-Polys? If so, do you think they are up to the challenge that is the music industry? 

Jon - I did they were great. The singer was a right character. NYE was ace. Me and Carl always end up in a tangle. I got punched about 5am and then the geezer ran off lol. The Rifles are great though. They are so popular and deserve far more coverage then they get. But again what they do isn't deemed cool by the hairdressers like Grimshaw haha 

You've played with Andy Nicholson and Drew McConnell in Mongrel, been in a band previous to Reverend and the Makers with Alex turner and Matt Helders and even had Turner contribute guitar and vocals on some of your songs before – for the fans who once again don’t know, can we expect any of these familiar names to pop up again on the new record? If not, is there any collaborations at all on the new record? 

Jon - A couple yes. But I don't wanna open your Xmas presents for ya, so you'll have to wait and see haha.

Reverend and The Makers fourth album, 'Thirty Two' can be pre-ordered now from iTunes, Amazon and Pledge Music and you can read our review of it HERE.

George Henry King
www.twitter.com/GeorgeHenryKing